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Herzlichen Glückwunsch an die Gewinner: Wie gut kennen Sie Niedersachsen? Der Gewinner der beiden Teams hatte die Chance, sich auf den 2. Essen und Getränke Location: Hier finden Sie alle Texte. Gespielt wird wie folgt: Das Halbfinale und das Finale wurde Best of 5 ausgespielt. Spannung bis zum Schluss. Eine kleine, aber sehr feine Runde wiedermal.

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In einem spannenden Halbfinale und Finale wurden die besten 4 Spieler des Tages ausgespielt. Es war wieder ein tolles Event. Auch die Ergebnisse der Spiele der höheren Ligen finden Sie dort. Sascha und Harm Hier noch ein paar Bilder: Gespielt wurde 5 Runden Schweizer System, Best of 3. Noch in der Vorrunde lief es noch nicht so gut für ihn, aber unter Druck lief er förmlich zur Höchstform auf.

A version of this table was in development for the PC and was also going to be released on the Nintendo 64 and would be developed by Digital Eclipse and published by GT Interactive , but was cancelled.

The game is also supported by Visual Pinball [6] , which can also be made by some people to play through a home made pinball cabinet, like the original but digitally emulated.

On July 11, FarSight Studios released The Pinball Arcade Newsletter 29 indicating they "agreed upon terms with all of the major licenses and clearances" needed to digitally recreate this table.

From Wikipedia, the free encyclopedia. This article includes a list of references , but its sources remain unclear because it has insufficient inline citations.

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Retrieved June 9, The Pinball Arcade Fans. Retrieved August 5, Retrieved February 27, The Addams Family musical.

The Original Orchestral Score. Judgment Day Whirlwind White Water. Bally and Williams tables are removed from game availability after June 30, Retrieved from " https: Articles lacking in-text citations from July All articles lacking in-text citations Template: IPDB different from Wikidata.

Views Read Edit View history. Languages Nederlands Svenska Edit links. This page was last edited on 23 October , at This duo also star in Citizen Kane, which is Jack's favorite film - so that might be the origin of Jack's interest in the reference.

Also Jack has named his record label 'Third Man Records' so the theme seems to be prevalent in a lot that he does.

No matter what goes on in your private life, people are gonna get interested in it in a gossipy manner. But 20 years from now, when you think about whatever is happening now, all you're gonna have is the music.

People will say, "What about the Strokes? And you'll listen to the Strokes album, and that's their music and that's what they did, and that's all that you know about it.

Also most interviews refer to this often and they can be seen almost chain smoking in a little pre-tour documentary that's circulating around.

I'd heard that he was really anti-smoking, 'cause he has allergies. I said hi to him and he didn't say hi back. I turned around and walked away, thinking "That's weird he didn't say hi back.

He's mad that I'm smoking. Are you still smoking? My voice was getting really really bad. I was losing all the high end. I'd heard some old tapes of us play, and I was really disappointed in the way I couldn't hit these notes anymore.

I didn't know what to do. I didn't wanna stop. I started to notice when I was playing with Loretta Lynn, I was playing her songs for the band in that range, which I would normally have been able to hit those notes, but I couldn't do it at that point.

It was like this consistent bronchitis over and over again. It just would not go away. Sometimes it would go away for a week, we'd be on tour and I'd sing really great and then it would come back for six months.

I couldn't do it anymore. It's too important to me to keep messing with the vocal chords like that. So that's really the only reason.

Right before we were leaving for the festivals, he sang Jolene, and it was like, Wow! I hadn't been able to hear him hit the high notes in that song forever without having trouble, so it's good.

Yeah, it's nice now, it feels good to be back where I used to be, because there was always a little hindrance going on.

I was ashamed because, in front of Loretta, I couldn't hit these notes. I think that's what really pushed me to it.

It was just that shame that Loretta really didn't think I was a good singer. The band seems to think of itself as a musical force and not a pulpit to spread their own political ideals.

If the Beatles could not get us all to love one another, then how would the White Stripes be capable to do it?

Yeah, it's a rough time. I haven't seen people be so obsessed and upset in my lifetime, you know, about everything. I guess it's the same way in E ngland too.

When you belong to a political party, it doesn't matter if it's a monkey or E instein who's the one running, you vote for him because he's a part of that party.

It's dedication to your party not the person. It doesn't matter who it is, what the truth is. That's really sad, and it kind of goes across the board.

I mean, don't people want the truth? Why wouldn't you want the truth? Because you can be lazy if you don't know the truth. That's sad to me.

That's what my Dad always told me, on the ballot, they should always have a third choice, like none of the above, then if enough people picked that, they'd have to get new candidates.

I think there's a lot of problems with being a two-party system. But I'm not gonna get to do anything about that. It's pretty sad when you have to choose between the lesser of two evils.

But then also people say 'I got all your songs off of Napster' ya know, they didn't buy records. I would never do it cuz I like band artwork.

I want the album and I want the artwork. But then bands like Metallica they've already gone platinum so they shouldn't scream about the money.

Ya know how everybody says that? But those bands on our level with people getting it that way and not buying it - we could really use that money laughs I've never gone on there to Napster.

Don't ever buy or sell concert cds, and don't just get online and burn their albums. If you can follow that then you should be fine.

You don't be that guy that downloads all the songs and then burns it so you don't have to get the cd. If you truly support and love an artist then they are worth your money and could use a couple bumps up in the charts.

What are we gonna do!?!?! I was kinda making reference to all the gossip and like that coming from the UK music press. I know well that it's not the case and that's why I said jack mentioned nothing to me about it.

So I got semi-misquoted and it ends up everywhere. Let that be a lesson to everyone. John Lennon said 'I could be big headed and say it'll last ten years'.

Well, we'll know when it's over. I don't think we're going to last ten years, I don't think Stripes will last 20 years. It's not that kind of a band where we have 5 or 6 guys, kick the bass player out and get a new member.

It's only going to be me and her Meg in the band. At some point we'll stop, but we've no plans to now at all.

I've got a lot of ideas for records for us coming up and the time off has been really re-inspiring. We would get asked that so much - Oh, I thought E lephant was going to be your last record.

But I always hated that so much my whole life, when people faked their retirement. Like, Oh, I'm retiring, then they come out of retirement, and then they retire again I didn't want to do that, and I didn't want people to think that.

I wasn't trying to get attention that way. I just meant that I didn't want to do the band for 20 years.

Maybe that was it. Also, people were paying attention to us on the third and fourth album. They feel like it's day one, like you're starting.

For you, it's been years. Jack was making a left turn when another car ran a red light and struck the side of his car. There was nothing I could do to get away from it.

It was lucky that there was nobody seriously injured. The airbag hit my hands on the steering wheel. I didn't know about any injuries until I got out of the car and kind of looked around.

And it was shattered, from here to here [draws line along lower half of finger]. I immediately thought 'That's not going to be good, is it?

It was a multiple fracture which means it didn't actually go through the skin but it shattered inside the finger. I can't write, I can't play piano, I can't play guitar, I can't do anything creative.

I can't even tie my shoes. The airbag broke my finger when it deployed. Maybe I would have been better off without an airbag.

But I wasn't too freaked out. I was OK with it. It was one of those things where your mind acclimates to whatever the situation is.

It just sort of upset me that I had to stop touring and I couldn't write music or play guitar or piano. Instead of healing, the multiple breaks in Jack's hand meant the bones were pushing apart rather than together.

Doctors inserted the three metal screws, which will stay inside his body for life. We have three screws here [indicates triangle-ish shape on finger]: These ligaments at the side are very sore.

I can still feel the fluid and scar tissue. It's going to be a long time. And the screws are staying in there forever. I got off with a warning.

I broke my finger, three breaks, car wreck, horrible left turn in front of me, no chance of escape, air bag, the air near my fingers, devil in my left hand, doctors say no way, lot's of pain, typing with one finger, made it through year of rock n' roll death, got off with just a warning.

Apologies to those wishing to see my hand live, soon enough I'm sure, now me and Meg can share war stories, I love when we share, like once there was a monkey, and we shared the experience as children do.

It took some time to deal with that, but he's doing much better now. If you don't know what I am talking about- here's the basics of the story.

This happened sometime during the Brendan Benson set and has had numerous stories, opinions and ideas thrown out from just about everyone. That's what I was talking about as well.

In the end, what happens? He did all that to promote his new album. That's what it was all about. It was about promoting his band, and living off of our kindness, once again, the attention he can get from using us.

He used us in a good way by being our friend. Then used us in a bad way by stabbing us in the back. So what happens to someone who uses people in the end?

His album sells two thousand copies or whatever, and nobody's going to care next year. He's forever gonna be known by his own exploitation laughing.

How do you rise above that? You can't rise above that because it's all negative. There's nothing negative from me. All I can do is defend my own honor, I guess.

There's nothing else I can do. The way I see it, the more I talk about it, the more he gets what he wants.

That's the problem, the whole time. That's why I never said anything, because it was giving him what he wanted, which was attention for his band.

Their old manager said something in an interview someone read to me, about him wanting to exploit the situation, and use it to his political advantage.

The manager of his band said that! Someone told me the other day, a friend of his - an eye doctor looked at Jason and said, There's nothing wrong with you, and he then flew out to find some other eye doctor to say that he had permanent eye damage.

Jim claims he collaborated and co-produced with Jack and Meg on sessions which became the duo's debut album. Diamond is looking for royalties in relation to the sessions, "ownership interest" in relation to the master recordings, and an entitlement to future profits.

White Stripes' self-titled debut album was recorded in Detroit in What is essentially a Copyright suit, Diamond " During the sessions, Jack White requested Diamond's assistance with production by asking Diamond to help identify, define, and capture the band's sounds and asking him to critique the band's performances.

Which in turn, would make him a co-owner of the copyrights of the recordings - allowing him a share of the royalties of the album's sales since the licensing agreement in From a anonymous but reliable sounding source on MotorCityRocks it is stated that: The official statement from Monotone Management released this statement "Jim Diamond's case is without merit and his behavior is rancorous.

The White Stripes intend to vigorously and successfully defend this action. Jim Diamond suing us saying that he produced 'De Stijl' - an album I recorded in our living room by myself!

Fame and money, that is. The only bad thing I can think of is our friends stabbing us in the back, left and right. A lot of our friends.

That felt really bad. That was personal, but not in the big picture, I don't think. That's exploitation, they make things look worse than they are for their own good, for their own benefit, you know?

That can only fall on their own heads in the end, not us. Because we love everybody, we're never out to hurt anybody. And if you're not out to hurt anybody, then you won't get hurt in the end.

The truth is the truth. Meg has never done anything to anybody. How can someone like Jim Diamond sue Meg? Like, what's going to happen in the end?

It's gonna fall on his head. It's gonna be not good. You get what you put into it. If you put love and respect into what you do, then you get it back from other people, I guess.

It still feels like the best year for me, because it's just so jam-packed with so many things. There's so many things that happened.

We usually start out on the road listening to Beck's Midnite Vultures. On this one tour we must've listened to that song "Let There Be Rock" four times before each show.

Yout think you won't need them or that they're going to take up too much room, but then you always really want them the next day.

We like to play this French card game from the '60s called Mille Bornes. It's about traveling more miles than the other player.

You can also deal that person a car accident or a red light so they'll have to stop - it's kind of like Sorry. And in the morning, you have to go to breakfast with your hosts.

Not like you have to, like it's a chore, but you should because it's a good thing. Chop crackers into little bits.

Mix some of the crackers into the corn with an egg. Take the rest of the crackers and spread on top. Bake like a casserole for 40 minutes at 3 50 degrees.

Really good comfort food. If you've ever wondered why so many pictures of the duo have animals in them its probably just one of Jack's many creatures he's brought along for the photo session.

Confirmed animals include a pig, a zebra head gazelles, a tiger, an eland, a kudu, and a giant white elk. Meg on the flip side does not seem to have this fascination which can be traced to Jack's upholstery days.

As far as meeting them - they are pretty much a staple in Detroit so if you live in the area its only a matter of time before you cross paths.

But the best method seems to be the after show attempt. It might take a while for them to exit the venue after the show but the majority of people who have met them did so waiting by the tour bus after a show.

WS Management Monotone, Inc. Among the key points in the deal: Standard major-label deals tie up acts for anywhere from three to seven albums.

The first band signed was Whirlwind Heat "Initially, Jack and Meg didn't want to do any deal," says Ian Montone, the Stripes' Los Angeles lawyer, who has also been handling their managerial duties.

And they really liked Andy. He understands where the band wants to go and wants to let them develop that. You want to put yourself in a position to succeed, and that overrode the money considerations.

You don't want to put a band like this in a position where it needs to sell a million copies to recoup.

I produce all the music, we totally do the complete album. The American and E uropean record companies who represent us releases exactly what we have given to them.

We are involved in all decisions regarding how we are presented. We even give them ready made covers. But after about 4 years into the band I've never seen him surfing around and I doubt very seriously that his email address is anything that would be accessible to anyone but very close friends and family.

This is especially true if the band is playing in smaller venues. The best bet would be that if you know when the tickets go on sale - be in line to buy them immediately to ensure that you get the best tickets available and that you do not have to rely on scalpers to buy your tickets.

It's a safe bet to place your money on the opening band being worth it. It basically comes down to straight economics - you've already paid for a ticket so you might as well get your money's worth by showing up early and checking them out.

You never know - you might find your new favorite band this way. For a good list of past opening bands, check out this portion of whitestripes.

For another resource on past opening bands, click here. Then you have a 3 minute pause where the stage setup is rearranged for the Stripes.

Typically the White Stripes shows last anywhere from minutes long. I have very few bootlegs that go over the 72 minutes allowed on 1 blank cd - but it sometimes does happen.

You will find that the band seem to follow a certain basic framework of a setlist and then move from song to song at ease with no intention of following anyone else's wants.

Keep in mind that they love to throw cover songs into wherever they deem fit and segue from song to song within a single beat, so there really is no telling where the Stripes are headed.

If you have hopes for a particular song to be played, its all a matter of luck. But you might just get a song played that is hardly ever heard or hear a new cover song that has never been played.

We just try to play things different every time. I want it to be a "moment" every night. It's hard, but I don't want people coming to a show and saying, Oh, that's the same show I could've seen if I went and saw them in Cleveland or Florida or something.

I mean, what's the point? You might as well be like the bands that just go up there every time and play their songs the same way as they do on the album, and have the same set every night.

I would be so bored with that. At the Grammy's, it was just this thing between me and Meg: Meg and I don't ever get nervous, but at a show like that, you just kind of assume something's gonna go wrong--like your guitar's gonna come unplugged or something.

And then while we were sitting there waiting to go on one of my amps started feeding back for no reason. I wasn't even plugged in! So we had to hurry up and turn that one off and switch over to another other one.

Although the fact that Ben Blackwell Jack's nephew collects Stripes bootlegs would lead one to believe that they are pretty much impartial to the distribution of their concerts.

Be weary though if you're going to a show with the intention of taping it. Some venues can be very strict in this department and will confiscate your equipment so please be careful.

Just follow the simple rule of never buying or selling bootleg recordings. If there is a show you absolutely must have, wait a couple of weeks and it will find it's way into the trading circles.

Many people on the Little Room are very nice about spreading the wealth - best of luck. I use this site religiously and a lot of work has gone into it.

Aside from a great list of setlists it also has compiled all known information on every song ever performed live and in the studio. There are still a number of cover songs still a mystery to us and any new information is welcome.

But if you were at a show and are uncertain of that random song Jack and Meg played this is the place to go. They played a show at the Gold Dollar, Detroit on the 24th of July No other information or any recording exists at this time.

He was listed as Jack "Doc" Gillis. Produced the Soledad Brothers first album - self titled 6. O'Leary" with E lectric Six on Danger!

High Voltage various releases. Appears on Blanche's "Whos to Say" 3 Appears on the Cold Mountain Soundtrack Producing and performing on Loretta Lynn's next album Appearing on Beck's upcoming album.

Is in the yet untitled and unreleased band with Brendan Benson Meg White It's a great album and a wonderful introduction to people who are unfamiliar to Loretta Lynn or country music in general.

The two immediately hit it off when they first met. I just want to be in the same room with her and to be able to work on this. We became friends, I guess.

The idea of a new record came up and I said I'd like to produce it if at all possible and they said, 'OK, let's try it out' and it worked.

She wanted to make one final album, and I put my name in, and they let me have a chance at it. It worked out really well.

Me and Loretta have become pretty good friends since last year, and I think we work together really well.

Her songwriting is just brilliant. She pulled out all these amazing songs, some that were 3 0 years old and some that she wrote a couple of months ago.

The recent ones are classics! And she sings better than someone in their 20s. I wanted to cry when I heard these new songs. She's still writing amazing songs.

We really hit it off', there's some kind of connection with us. I feel really comfortable with her and I think she feels really comfortable with me, which I'm really glad for, because I could see someone like me-the way I look or whatever-not being appealing or her thinking that maybe I wasn't down with the kind of music she does.

She could tell that we have the same love for the same things about music' The album was recorded in 12 days.. We walked in, and this long, tall guy [engineer E ric McConnell] was sittin' at the control table.

I noticed that he didn't have many controls - not even as many as I've got on my little [sound] board. I thought, 'Oh gee, this is gonna be good. From the first song, it was great.

She didn't really understand it at first. We picked this guy's house to record it in, to do it in a home. At the end of the first day, she took me aside and said, Southern matron voice , Jack, did you know we were gonna record here?

I said yeah, I picked this place Loretta. Within a couple of days, she grabbed my hand and said, Jack, I can't wait for this record to come out, it's gonna be so great.

It was really cool, to see her so excited about music again. It was really cool. We recorded on eight track, I refuse to record on digital computers or equipment.

If this equipment was good enough for the people and music I really love -- for Cole Porter, Hank Williams, the Beatles -- there's no need to go and do digital.

It gives you way too much opportunity to overproduce. I was only thinking about how cool the whole thing was. We've known the White Stripes for about six years.

Our bands started out around the same time, and we got to be friends from playing shows together in Detroit.

He has recorded our band before, and he likes the way we play. It was really exciting My mom's a big fan. I'm a fan, too.

Not to the point where I have autographed collector's plates sitting around, but I have a few of her records.

There was no direction at all. We would listen to her song, and we would go through and figure out how we wanted to play it. She would pretty much tell us to do whatever we wanted.

That's why in the album's liner notes she called us the Do Whaters. She said we are gonna shake up Nashville's Music Row. It felt like you've known her a long time.

She would work nine and 10 hours a day, and a lot of it was just sitting around and her telling great stories. She sounds brilliant right off the bat.

Her voice is gorgeous. It's as country as I am. I wanted to present each song the best way possible and bring out the character of each song.

If it was subtle, it needed to be subtle. If she was belting it out, we needed to get intense with it. I didn't go down as I was busy at the time.

But I've heard a lot of the stuff. It's really, really amazing. Loretta Lynn is a lovely person and an incredible musician. Jack put together the band for the Nashville session using the members of the Greenhorns as the rhythm section - my style of drumming wouldn't have been appropriate - but Loretta wrote all the songs herself.

There are a few that date back to the 60s, but the ones she wrote two months ago are just as great. It's an amazing record. She wants to record a religious album and a Christmas album - and she hopes Jack will once again be her producer.

E ven though their producing styles are different, she likens the young musician to her legendary first producer. It's like he's been here many times.

I see a little bit of Owen Bradley in him. He's great at the rock 'n' roll music, but I think he will probably be even greater at producing.

I've got two more albums in mind, and Jack and I are going to do 'em together. When I'm on the road, I say to my fans: Country people know him. Me and Jack are going to do a tour with the Do-Whaters, the boys that played on the album.

I'll take my band out, too, so it won't be no big deal. She wants to do more, but I don't know if I can.

She has run-ins with her health, and you know she's getting up there [age-wise]. But she bounces right back. She's a real fighter. She'll go into hospital, and come out two days later kicking and screaming.

She cannot sit down, and cannot sit still. She constantly wants to go on tour and do things. She's never stopped since she started 40 years ago. That would be really nice.

We'd be good together and record if we can both get a month off I was just working with Beck a couple of months back.

It's this song where I played bass and he played Fender Rhodes on it. We just started working on it.

He had the Dust Brothers producing on it, and the studio wasn't really for me - it was just like, a computer. They know what they're doing, they're really good at what they do.

Beck sent me the song not too long ago, and he's done some really cool things with it after I left. So that was cool, and I've been working on some other secret weapons and projects at home.

The band is filled out with Patrick and Lil Jack of the Greenhornes so this is bound to be a badass album We're probably gonna work with Brendan Benson, record at his house.

He lives really near by me, I like recording with him. I don't really have any other predetermined things about the record at all.

All I could really do is hum you some songs. But I don't know, we might be done in the next couple of months. We might go in, When I say, done, it's not like we're gonna go in and work on it forever.

I'm sure we're gonna work on writing some more, and go in there for a week or something. I don't know when that'll be. Brendan's on tour for another month or so.

I'm saying we might do it there. Met Franky in het midden die de ballen opvangt en vervolgens bij multibal alle ballen het speelveld opslingert.

Raak de targets en de phantom flip wordt geactiveerd. De meeste flipperkasten die wij verkopen zijn kasten uit de jaren U moet zich voorstellen dat zo'n flipperkast ongeveer om de 3 maanden van locatie wisselde waarbij er vaak niet echt voorzichtig mee werd omgegaan.

Het ging om de inhoud van de geldlade de rest was nauwelijks belangrijk. Dus zo'n kast werd in de auto gesmeten en hup naar de volgende locatie.

We zijn nu zo'n 30 jaar verder dus hij is al 'n paar keer verplaatst en ja dat kun je zo hier en daar dan ook wel zien. En dat heeft ook z'n charme!

De meest ernstige beschadigingen verhelpen we natuurlijk maar waar het vooral om gaat is dat u een betrouwbare flipperkast koopt vinden wij. Dus voor dat een kast wordt afgeleverd worden bij de Bally en Williams modellen de printplaten gereviseerd.

De brugcellen en de elco's en condensators worden standaard vervangen. Een Data East voeding ondergaat dezelfde behandeling.

Het speelveld wordt volledig gereinigd, nieuw gerubberd en grotendeels van led verlichting voorzien. De flipperunits worden compleet gereviseerd.

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MULTI-BALL FOOTBALL CHALLENGE!! KICK UP EDITION!!

Red, white and black. Let's confine and constrict ourselves, and live inside of a box and have there be rules. A lot of time in modern music, there have been no rules.

I think people just enjoy the opportunity of having no rules and can do whatever they want to do. Having a huge budget or unlimited time or tracks to make an album, all that opportunity robs you of a lot of creativity, because you're not focused or confined.

We purposely confined ourselves to help us be more focused. I don't know why it works on the radio or on MTV or on a stage in front of 80, people.

It seems like there should be more going on. We've always gotten along really well, and the important part of a two-piece band is that there isn't a third person to take sides and cause dissension.

I've played White Stripes songs with other drummers at my house, and it just doesn't feel right. I think that there's definitely this communication with me and Meg that has always been there, where nothing needs to be said about what we're gonna do.

Meg's never had goals of being Neil Peart or anything, and that's what I love about her. What she does is just so simple and child-like.

You couldn't take a male drummer and ask him to do that; he wouldn't be able to do it. And I've tried; it doesn't work.

There's a band in Detroit called the Gories, and they have a gift drummer that uses just two toms and a tambourine duct-taped to the tom.

That's it, and that's all it needs to be. And you know, people can't criticize that. You can't criticize Moe Tucker for not being Carl Palmer.

When Meg and I were starting out, we thought the best thing about our idea was that it would put off some people.

They'd walk into a show and say, "Okay, it's a brother and sister, it's a two-piece band, everything is red, white and black, and there's peppermints, and okay, it's all just gimmicks.

If we were up there in street clothes like everybody else, we'd be making the same decision that a million other bands have made.

Instead, we figured some people would really love what we're doing after the first song, and they wouldn't notice those artistic aspects of the band anymore.

They'd be there just listening to the music and the storytelling. And that was our goal. We figured that if those people could get past the out- ward trappings and get to the music, then they were in there kind of for life.

But since our last name was White, we decided to call it The White Stripes. It revolved around this childish idea, the ideas kids have - because they are so much better than adult ideas, right?

When I first heard about them naming the band the White Stripes, I thought people were going to think they were a skinhead band.

Originally they were tossing back and forth the names Bazooka and Soda Powder, so after hearing the other names they had come up with, the White Stripes didn't seem so bad.

Meg came up with it, and the story about them getting it from the candy might be true, but they also had some old bricks in front of the house in the garden that said "White" on them, and that might have had something to do with it.

That whole first year, every single person misprinted the band name -- it was always "White Stripe" or "White Strike" or "White Strikes.

Of course, that wasn't as bad as when they played the Magic Bag one night and were billed as the Light Strikes. That whole first year, every single person misprinted the band name--it was always 'White Stripe' or 'White Strike' or 'White Strikes'.

It never got printed right-for a whole year. But obviously this is not the case in more other environments. I think it's the best color combination of all time.

It's just more powerful. For some reason, it just makes people think about stuff. Say someone says, 'Wow, I really like your red pants.

They're just old senior citizen pants. There's just something about the color. It's very interesting for us to work on the appearance of the band, because it all comes off of this one theme derived from those two colors, with red standing for anger and white being innocence.

It's a lot easier than a band where everyone wears jeans and T-shirt. E veryone can recognize a White Stripes record. E veryone knows there is something going on on-stage.

If you tell a kid that they are going to church, they'll always come down in a red outfit or something and be told 'No, you can't go to church in that'.

You could compare that the way we wear white and red peppermint candy as a symbol of the band. It's the same if you choose to blast blue lighting on the band or anything, it all affects how you feel when you watch a band, like if you just turned up the lights at the bar and down at the stage that affects your perception of a band.

You know, now there's bands dressing up as cowboys, bands dressing up as lounge acts sighs. And if we had to make a choice, I wanted it to be something simple like that.

Something where someone could see a cover and say, "oh, that's a White Stripes record" right away, I mean, I won't go dressing up as a chicken just to get people's attention.

Anything involved in presenting yourself onstage is all a big trick. You're doing your best to trick those people into experiencing something good, something they haven't thought about before or haven't thought about in a long time.

I'm doing my best to be that vaudeville trickster, to help that happen. But the image stuff all stemmed from the music-just the childishness and how it relates to anger and innocence and these colors and what they mean to us, and us being children together.

It all comes from that childishness, really. It's kind of funny. The last couple of weeks, how many things I've seen - Black E yed Peas wearing completely red white and black outfits, Lil Jon the rapper was on MTV Awards the other day, I saw that when I was flippin' channels - wearing all red white and black.

The new Green Day album, all the artwork is red white and black. The Lenny Kravitz album, the same. Go to a record store, it's all like that.

There's two car commercials out right now, one for Honda where the car is made out of red white and black Lego laughs there's another ad where the car is spinning, a total rip-off of The Hardest Button to Button video.

People say like, well, you guys don't own those colours, but look at this thing with cars made out of red white and black lego.

A friend said to me, Whatever, Jack! Then I was talking to Michel Gondry a week later and he said, Oh yes, zey asked me to direct this commercial!

I knew they got their ideas from somewhere! If you can't get past the stage of, Oh, this is a gimmick. OK, if you think it's gimmick, you're not possibly gonna be able to come any deeper with us.

It weeds out people who wouldn't care anyway. Then, if you wanna know what the truth is, ask the little kids watching the band, and see what he thinks.

I venture a guess he's gonna have fun. Why would we do that? Wearing red and white has meaning. Wearing green for a day would just be so bourgeois.

It's actually all based around the number three, even though there's two of us. It's vocals, guitar and drums, and then rhythm, melody and storytelling.

There was a piece of fabric over part of a couch. The guy I was working for put in three staples. You couldn't have one or two, but three was the minimum way to upholster something.

And it seemed things kept revolving around that. Like, you only need to have three legs on a table. After two, three meant many, and that was it, you don't have to go any further than that: There's the trinity in Christianity, and objects in the world: A table can have only three legs and stand up.

Or a wheel on a car can have only three nuts to hold it on. There's a definition about that. It was a number I always thought of as perfect, or our attempt at being perfect.

Like on a traffic light, you couldn't just have a red and a green. I work on sculptures too, and I always use three colors.

It has that feel to it, everything we do. It just seems like the perfect connection. There's vocals, drums and guitar. If we're breaking things down, how simple could they be?

It seems to revolved around the number three -- songwriting is storytelling, melody, and rhythm, those three components.

If you break it down but you keep the three components, then you have what songwriting really is, without excess and overthinking.

Also - if you ever get the chance to get an autograph from him he will usually sign it "Jack White III" 2. This is a 7' vinyl release.

This name seems to pop up frequently in the Stripes arena. This duo also star in Citizen Kane, which is Jack's favorite film - so that might be the origin of Jack's interest in the reference.

Also Jack has named his record label 'Third Man Records' so the theme seems to be prevalent in a lot that he does.

No matter what goes on in your private life, people are gonna get interested in it in a gossipy manner. But 20 years from now, when you think about whatever is happening now, all you're gonna have is the music.

People will say, "What about the Strokes? And you'll listen to the Strokes album, and that's their music and that's what they did, and that's all that you know about it.

Also most interviews refer to this often and they can be seen almost chain smoking in a little pre-tour documentary that's circulating around. I'd heard that he was really anti-smoking, 'cause he has allergies.

I said hi to him and he didn't say hi back. I turned around and walked away, thinking "That's weird he didn't say hi back. He's mad that I'm smoking.

Are you still smoking? My voice was getting really really bad. I was losing all the high end. I'd heard some old tapes of us play, and I was really disappointed in the way I couldn't hit these notes anymore.

I didn't know what to do. I didn't wanna stop. I started to notice when I was playing with Loretta Lynn, I was playing her songs for the band in that range, which I would normally have been able to hit those notes, but I couldn't do it at that point.

It was like this consistent bronchitis over and over again. It just would not go away. Sometimes it would go away for a week, we'd be on tour and I'd sing really great and then it would come back for six months.

I couldn't do it anymore. It's too important to me to keep messing with the vocal chords like that. So that's really the only reason.

Right before we were leaving for the festivals, he sang Jolene, and it was like, Wow! I hadn't been able to hear him hit the high notes in that song forever without having trouble, so it's good.

Yeah, it's nice now, it feels good to be back where I used to be, because there was always a little hindrance going on. I was ashamed because, in front of Loretta, I couldn't hit these notes.

I think that's what really pushed me to it. It was just that shame that Loretta really didn't think I was a good singer.

The band seems to think of itself as a musical force and not a pulpit to spread their own political ideals. If the Beatles could not get us all to love one another, then how would the White Stripes be capable to do it?

Yeah, it's a rough time. I haven't seen people be so obsessed and upset in my lifetime, you know, about everything. I guess it's the same way in E ngland too.

When you belong to a political party, it doesn't matter if it's a monkey or E instein who's the one running, you vote for him because he's a part of that party.

It's dedication to your party not the person. It doesn't matter who it is, what the truth is. That's really sad, and it kind of goes across the board.

I mean, don't people want the truth? Why wouldn't you want the truth? Because you can be lazy if you don't know the truth.

That's sad to me. That's what my Dad always told me, on the ballot, they should always have a third choice, like none of the above, then if enough people picked that, they'd have to get new candidates.

I think there's a lot of problems with being a two-party system. But I'm not gonna get to do anything about that. It's pretty sad when you have to choose between the lesser of two evils.

But then also people say 'I got all your songs off of Napster' ya know, they didn't buy records. I would never do it cuz I like band artwork. I want the album and I want the artwork.

But then bands like Metallica they've already gone platinum so they shouldn't scream about the money. Ya know how everybody says that?

But those bands on our level with people getting it that way and not buying it - we could really use that money laughs I've never gone on there to Napster.

Don't ever buy or sell concert cds, and don't just get online and burn their albums. If you can follow that then you should be fine.

You don't be that guy that downloads all the songs and then burns it so you don't have to get the cd. If you truly support and love an artist then they are worth your money and could use a couple bumps up in the charts.

What are we gonna do!?!?! I was kinda making reference to all the gossip and like that coming from the UK music press. I know well that it's not the case and that's why I said jack mentioned nothing to me about it.

So I got semi-misquoted and it ends up everywhere. Let that be a lesson to everyone. John Lennon said 'I could be big headed and say it'll last ten years'.

Well, we'll know when it's over. I don't think we're going to last ten years, I don't think Stripes will last 20 years.

It's not that kind of a band where we have 5 or 6 guys, kick the bass player out and get a new member. It's only going to be me and her Meg in the band.

At some point we'll stop, but we've no plans to now at all. I've got a lot of ideas for records for us coming up and the time off has been really re-inspiring.

We would get asked that so much - Oh, I thought E lephant was going to be your last record. But I always hated that so much my whole life, when people faked their retirement.

Like, Oh, I'm retiring, then they come out of retirement, and then they retire again I didn't want to do that, and I didn't want people to think that.

I wasn't trying to get attention that way. I just meant that I didn't want to do the band for 20 years. Maybe that was it. Also, people were paying attention to us on the third and fourth album.

They feel like it's day one, like you're starting. For you, it's been years. Jack was making a left turn when another car ran a red light and struck the side of his car.

There was nothing I could do to get away from it. It was lucky that there was nobody seriously injured.

The airbag hit my hands on the steering wheel. I didn't know about any injuries until I got out of the car and kind of looked around.

And it was shattered, from here to here [draws line along lower half of finger]. I immediately thought 'That's not going to be good, is it?

It was a multiple fracture which means it didn't actually go through the skin but it shattered inside the finger. I can't write, I can't play piano, I can't play guitar, I can't do anything creative.

I can't even tie my shoes. The airbag broke my finger when it deployed. Maybe I would have been better off without an airbag. But I wasn't too freaked out.

I was OK with it. It was one of those things where your mind acclimates to whatever the situation is. It just sort of upset me that I had to stop touring and I couldn't write music or play guitar or piano.

Instead of healing, the multiple breaks in Jack's hand meant the bones were pushing apart rather than together. Doctors inserted the three metal screws, which will stay inside his body for life.

We have three screws here [indicates triangle-ish shape on finger]: These ligaments at the side are very sore. I can still feel the fluid and scar tissue.

It's going to be a long time. And the screws are staying in there forever. I got off with a warning. I broke my finger, three breaks, car wreck, horrible left turn in front of me, no chance of escape, air bag, the air near my fingers, devil in my left hand, doctors say no way, lot's of pain, typing with one finger, made it through year of rock n' roll death, got off with just a warning.

Apologies to those wishing to see my hand live, soon enough I'm sure, now me and Meg can share war stories, I love when we share, like once there was a monkey, and we shared the experience as children do.

It took some time to deal with that, but he's doing much better now. If you don't know what I am talking about- here's the basics of the story.

This happened sometime during the Brendan Benson set and has had numerous stories, opinions and ideas thrown out from just about everyone. That's what I was talking about as well.

In the end, what happens? He did all that to promote his new album. That's what it was all about. It was about promoting his band, and living off of our kindness, once again, the attention he can get from using us.

He used us in a good way by being our friend. Then used us in a bad way by stabbing us in the back. So what happens to someone who uses people in the end?

His album sells two thousand copies or whatever, and nobody's going to care next year. He's forever gonna be known by his own exploitation laughing.

How do you rise above that? You can't rise above that because it's all negative. There's nothing negative from me.

All I can do is defend my own honor, I guess. There's nothing else I can do. The way I see it, the more I talk about it, the more he gets what he wants.

That's the problem, the whole time. That's why I never said anything, because it was giving him what he wanted, which was attention for his band.

Their old manager said something in an interview someone read to me, about him wanting to exploit the situation, and use it to his political advantage.

The manager of his band said that! Someone told me the other day, a friend of his - an eye doctor looked at Jason and said, There's nothing wrong with you, and he then flew out to find some other eye doctor to say that he had permanent eye damage.

Jim claims he collaborated and co-produced with Jack and Meg on sessions which became the duo's debut album. Diamond is looking for royalties in relation to the sessions, "ownership interest" in relation to the master recordings, and an entitlement to future profits.

White Stripes' self-titled debut album was recorded in Detroit in What is essentially a Copyright suit, Diamond " During the sessions, Jack White requested Diamond's assistance with production by asking Diamond to help identify, define, and capture the band's sounds and asking him to critique the band's performances.

Which in turn, would make him a co-owner of the copyrights of the recordings - allowing him a share of the royalties of the album's sales since the licensing agreement in From a anonymous but reliable sounding source on MotorCityRocks it is stated that: The official statement from Monotone Management released this statement "Jim Diamond's case is without merit and his behavior is rancorous.

The White Stripes intend to vigorously and successfully defend this action. Jim Diamond suing us saying that he produced 'De Stijl' - an album I recorded in our living room by myself!

Fame and money, that is. The only bad thing I can think of is our friends stabbing us in the back, left and right.

A lot of our friends. That felt really bad. That was personal, but not in the big picture, I don't think.

That's exploitation, they make things look worse than they are for their own good, for their own benefit, you know? That can only fall on their own heads in the end, not us.

Because we love everybody, we're never out to hurt anybody. And if you're not out to hurt anybody, then you won't get hurt in the end. The truth is the truth.

Meg has never done anything to anybody. How can someone like Jim Diamond sue Meg? Like, what's going to happen in the end? It's gonna fall on his head.

It's gonna be not good. You get what you put into it. If you put love and respect into what you do, then you get it back from other people, I guess.

It still feels like the best year for me, because it's just so jam-packed with so many things. There's so many things that happened.

We usually start out on the road listening to Beck's Midnite Vultures. On this one tour we must've listened to that song "Let There Be Rock" four times before each show.

Yout think you won't need them or that they're going to take up too much room, but then you always really want them the next day.

We like to play this French card game from the '60s called Mille Bornes. It's about traveling more miles than the other player.

You can also deal that person a car accident or a red light so they'll have to stop - it's kind of like Sorry. And in the morning, you have to go to breakfast with your hosts.

Not like you have to, like it's a chore, but you should because it's a good thing. Chop crackers into little bits.

Mix some of the crackers into the corn with an egg. Take the rest of the crackers and spread on top. Bake like a casserole for 40 minutes at 3 50 degrees.

Really good comfort food. If you've ever wondered why so many pictures of the duo have animals in them its probably just one of Jack's many creatures he's brought along for the photo session.

Confirmed animals include a pig, a zebra head gazelles, a tiger, an eland, a kudu, and a giant white elk. Meg on the flip side does not seem to have this fascination which can be traced to Jack's upholstery days.

As far as meeting them - they are pretty much a staple in Detroit so if you live in the area its only a matter of time before you cross paths.

But the best method seems to be the after show attempt. It might take a while for them to exit the venue after the show but the majority of people who have met them did so waiting by the tour bus after a show.

WS Management Monotone, Inc. Among the key points in the deal: Standard major-label deals tie up acts for anywhere from three to seven albums.

The first band signed was Whirlwind Heat "Initially, Jack and Meg didn't want to do any deal," says Ian Montone, the Stripes' Los Angeles lawyer, who has also been handling their managerial duties.

And they really liked Andy. He understands where the band wants to go and wants to let them develop that. You want to put yourself in a position to succeed, and that overrode the money considerations.

You don't want to put a band like this in a position where it needs to sell a million copies to recoup. I produce all the music, we totally do the complete album.

The American and E uropean record companies who represent us releases exactly what we have given to them. We are involved in all decisions regarding how we are presented.

We even give them ready made covers. But after about 4 years into the band I've never seen him surfing around and I doubt very seriously that his email address is anything that would be accessible to anyone but very close friends and family.

This is especially true if the band is playing in smaller venues. The best bet would be that if you know when the tickets go on sale - be in line to buy them immediately to ensure that you get the best tickets available and that you do not have to rely on scalpers to buy your tickets.

It's a safe bet to place your money on the opening band being worth it. It basically comes down to straight economics - you've already paid for a ticket so you might as well get your money's worth by showing up early and checking them out.

You never know - you might find your new favorite band this way. For a good list of past opening bands, check out this portion of whitestripes.

For another resource on past opening bands, click here. Then you have a 3 minute pause where the stage setup is rearranged for the Stripes.

Typically the White Stripes shows last anywhere from minutes long. I have very few bootlegs that go over the 72 minutes allowed on 1 blank cd - but it sometimes does happen.

You will find that the band seem to follow a certain basic framework of a setlist and then move from song to song at ease with no intention of following anyone else's wants.

Keep in mind that they love to throw cover songs into wherever they deem fit and segue from song to song within a single beat, so there really is no telling where the Stripes are headed.

If you have hopes for a particular song to be played, its all a matter of luck. But you might just get a song played that is hardly ever heard or hear a new cover song that has never been played.

We just try to play things different every time. I want it to be a "moment" every night. It's hard, but I don't want people coming to a show and saying, Oh, that's the same show I could've seen if I went and saw them in Cleveland or Florida or something.

I mean, what's the point? You might as well be like the bands that just go up there every time and play their songs the same way as they do on the album, and have the same set every night.

I would be so bored with that. At the Grammy's, it was just this thing between me and Meg: Meg and I don't ever get nervous, but at a show like that, you just kind of assume something's gonna go wrong--like your guitar's gonna come unplugged or something.

And then while we were sitting there waiting to go on one of my amps started feeding back for no reason. I wasn't even plugged in!

So we had to hurry up and turn that one off and switch over to another other one. Although the fact that Ben Blackwell Jack's nephew collects Stripes bootlegs would lead one to believe that they are pretty much impartial to the distribution of their concerts.

Be weary though if you're going to a show with the intention of taping it. Some venues can be very strict in this department and will confiscate your equipment so please be careful.

Just follow the simple rule of never buying or selling bootleg recordings. If there is a show you absolutely must have, wait a couple of weeks and it will find it's way into the trading circles.

Many people on the Little Room are very nice about spreading the wealth - best of luck. I use this site religiously and a lot of work has gone into it.

Aside from a great list of setlists it also has compiled all known information on every song ever performed live and in the studio.

There are still a number of cover songs still a mystery to us and any new information is welcome. But if you were at a show and are uncertain of that random song Jack and Meg played this is the place to go.

They played a show at the Gold Dollar, Detroit on the 24th of July No other information or any recording exists at this time.

He was listed as Jack "Doc" Gillis. Produced the Soledad Brothers first album - self titled 6. O'Leary" with E lectric Six on Danger! High Voltage various releases.

Appears on Blanche's "Whos to Say" 3 Appears on the Cold Mountain Soundtrack Producing and performing on Loretta Lynn's next album Dislodging this ball from its path by hitting it with the ball in play starts Mist Multiball.

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We asked their owner, Mark Hooks, how he obtained them. It was short and said I was the only one listed as owning a Dracula on a certain website [at the time].

I always thought they were prototypes because they were unpainted, unlike the production models, and were molded from glow in the dark plastic.

It makes me wonder if they were considering a blacklight for lighting. Feel free to post the pictures and the story.

Maybe the person who sent them to me will see it and tell us more. According to designer Barry Oursler, these plastics were removed prior to production because the actors [or perhaps only Winona Ryder] would not sign a release to use their images.

Thus, while these ' prototype ' plastics may not have left the factory on any game, it would have been easy to obtain them and retro-fit them onto a game.

An earlier game that used a magnet to move the ball across the mid-playfield is Sega Enterprises' 'Galaxy'. Reproduction Score and Instruction Cards.

Backglass x [Steve Nordseth]. Full Machine x [Steve Nordseth]. If by some chance you have been searching the world over for a subject guaranteed to a arouse intense emotions, and b elicit vehement opinions, seek no further.

One reason is that like the chevron on a PFC's sleeve or the star on a general's shoulder, a golfer's handicap is a kind of personal symbol of status.

I know of a least one fairly classy player whose laundry labels read something like this: Another source of built-in controversy lies in the fact that a good many players, regardless of whether their handicaps are high or low, are firmly convinced that the system is somehow rigged against them.

Not just against players of their particular class - against them personally. Simultaneously, of course, the limber-backed chap is reflecting on the injustice of a system specifically designed to render him easy prey for any high handicapper who has a loop in his backswing, plays only on weekends, and never practices.

Which is why those of us, no matter what our politics may be, occasionally feel a surge of empathy with the late Mayor Richard Dales of Chicago, who once declared of the local newspapers: They have crucified me.

Yes, they have even criticized me! Happily, however, statistics also tell us that both players are wrong, and in almost equal measure.

Over the long run, the weekender vs. Indeed, it is a key element in the greatness of golf as a game. Were you or I for some reason required to play a tennis match with the likes of Jimmy Connors or Ilie Nastase, the experience might well be shattering.

But in golf, thanks to the Handicap System, either of us could enjoy a satisfyingly competitive match with Jack Nicklaus or Tom Watson.

The relative equity which the system brings to individual matches, however, quickly changes to inequity in multi-ball team events at stroke play - if full handicaps continue to be used.

It is a golfing fact of life a fact of which many players are unaware that something less than full individual handicaps are necessary when players team up for this type of competition.

Basically, the problem is that higher handicappers produce a wider range of hole-by-hole scores than better and more consistent golfers do.

That means that if full handicaps are used and a team can choose its best net score on each hole, the team getting the most strokes has a definite edge.

The golfing world did not welcome the allowances with open arms. The USGA concentrated on explaining the reasons for the general increase in individual handicaps, but did a relatively low-key job of publicizing the multi-ball allowances.

Another reason was that a number of otherwise rational golfers were somehow stricken with a kind of intellectual myopia where the allowances were concerned.

Instead of seeing them for what they really were - team adjustments designed to allow multi-ball events to be played on the same relatively equal basis as individual events - they interpreted the allowances as reductions in their individual handicaps.

In short order, locker rooms echoed to cries of anguish from players like the former handicapper who, having been raised to 30 under the system, was convinced he was going to win every prize in sight over the coming season - only to discover his handicap had been adjusted to 21 for the first best-ball-of four event of the year.

Yet another complication arose because individual handicaps are computed and administered by state and district golf associations, but multi-ball competitions are played chiefly at the club level.

In general, the associations were quick to adopt the new USGA method of computing individual handicaps; a good many clubs, however, either through lack of familiarity with the allowances or because they opted to "keep things simple," continued to use full handicaps for multi-ball play.

The Allowances had been in effect for only a few months when it became apparent that golfers in general were accepting them reluctantly, if at all.

The USGA is the governing body of golf in the United States; but it governs by consent only, and must be alert to ground swells of opinion from its constituency.

Accordingly, we determined to take a second long, hard look at the allowances, through the eyes of the most expert consultants available.

One expert we retained was Dr. Francis Scheid, a member of the mathematics department at Boston University, author of numerous pioneering articles on handicapping, and former president of the Plymouth Massachusetts Country Club.

All four men share not only impressive mathematical talents, but a zest for golf as well. Their research occupied the better part of a year.

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